Extra angles
Complementary perspectives on stunts, impacts and practical effects.
For DOPs and production teams
More angles.
More options in the edit.
Flexible extra camera coverage for action, effects, vehicles, inserts and B-roll — built around your main unit.
BCAMERASADDITIONAL CAMERA UNIT
The challenge
The moment happens once.
Missing angles can mean extra setups, pickups or a return to location. Capture more while the scene is ready.
Better use of the day
Capture inserts and B-roll while cast, crew and lighting are in place.
Main unit stays focused
A dedicated operator handles extra coverage around the hero shot.
One service, two perspectives
Built for your production.
Agree the extra coverage with your production and camera teams before the shoot.
For Line Producers
- Get more coverage from a planned shoot day.
- Reduce the risk of missing inserts and B-roll.
- Agree scope and costs before production.
For Directors of Photography
- Add angles for action and practical effects.
- Fit compact cameras into vehicles and tight spaces.
- Coordinate lenses, format and recording workflow.
Applications
Coverage for complex moments.
Flexible placements planned around the scene and technical requirements.
Action & effects
Stunts, impacts and moments that are hard to repeat.
Vehicles
Compact camera placements in cars and tight locations.
Stabilised shots
Selected moving shots and inserts with compact stabilisers.
Inserts & B-roll
Supplementary details captured during the production day.
Multi-angle coverage
More perspectives and more options for the edit.
Flexible positions
Tripod, stabiliser or another agreed setup.
The kit
Compact kit.
Production-minded.
A Super 35 camera package with operator-led setup and coordination.
We agree technical matching and recording needs with your camera department before the shoot.
2 × Sony FX30 camera bodiesSuper 35 with ARRI PL adapter
Anamorphic lens optionsDiscussed per project
2 × Timecode generatorsTentacle SYNC E mkII
2 × DJI RS gimbalsCompact stabilisers
2 × Matte boxes and ND filtersND filters up to 95 mm lens thread
Operator includedSetup and on-set coordination
Simple workflow
Start with one scene.
Test the service on an upcoming shoot and see what the extra coverage adds to your edit.
01 / Share the brief
Send the scene, date, location and coverage needs.
02 / Agree the setup
Confirm positions, lenses, workflow and cost.
03 / Shoot together
We operate the extra cameras with your team.
FAQ
Questions, answered.
Quick answers for line producers and directors of photography planning extra coverage.
01 / Line producersHow does an extra camera unit save production time?
We capture extra angles, inserts and B-roll while cast, crew and lighting are already in place — reducing the need for pickups, extra setups or a return to location.
02 / Line producersHow are scope and costs agreed?
Before the shoot. Share the scene, date, location and coverage needs, and we confirm positions, kit and costs before production.
03 / Line producersCan we try it before committing to a full production?
Yes. Start with one scene or one pilot day and see what the extra coverage adds to your edit.
04 / Line producersWhere do you work?
We are based in Jõhvi, Ida-Viru County, Estonia, and work on location across Estonia, Latvia, Lithuania, Finland, Sweden and Norway.
05 / Line producersDoes the extra unit slow down the main unit?
No. A dedicated operator handles the additional coverage around the hero shot, so your main unit stays focused on its own setups.
06 / DOPsWill the footage match my main camera?
We agree lenses, format, recording settings and workflow with your camera department before the shoot. Our Sony FX30 Super 35 bodies take PL glass via an ARRI PL adapter.
07 / DOPsCan you shoot anamorphic?
Anamorphic lens options are available and discussed per project, so the look fits your main unit.
08 / DOPsHow do you keep timecode in sync?
Both cameras run Tentacle SYNC E mkII timecode generators, so the extra angles line up cleanly in the edit.
09 / DOPsCan the cameras go in vehicles and tight spaces?
Yes. The compact bodies and DJI RS gimbals are built for car rigs, tight locations, stabilised moves and inserts.
10 / DOPsWho decides the extra angles?
You do. Each setup is planned around the scene and your visual priorities, and our operator coordinates with you and the main unit on set.
Where we work
Estonia, the Baltics and the Nordics.
Based in Jõhvi, Ida-Viru County, Estonia — at Jordi tee 17, the home of IDA Hub film studios.
We work on location with productions across Estonia, Latvia, Lithuania, Finland, Sweden and Norway.
EstoniaTallinn · Tartu · Narva · Pärnu · Ida-Viru
LatviaRiga and nationwide
LithuaniaVilnius and nationwide
FinlandHelsinki and nationwide
SwedenStockholm and nationwide
NorwayOslo and nationwide
Camera team lead
Andres Kostiv
On-set experience. Practical thinking.
Andres Kostiv is an Estonian feature film and documentary film camera operator. His film industry credits include serving as a camera operator for the independent science-fiction comedy short film Crush (2022) and as the camera operator for the feature drama Inherited Silence (2026), as well as commercial and film art projects.
As BCAMERAS camera team lead, Andres brings a production-minded approach to camera placement, additional coverage and collaboration with the main unit. Each setup is planned around the scene, the DOP’s visual priorities and the production’s technical workflow.
Have a shoot coming up?
Let’s plan the extra angles.
Start with one scene or one pilot day.
Jordi tee 17, Kotinuka küla, Jõhvi vald, 41546 Ida-Viru maakond, Estonia
Estonia · Baltics · Nordics